For one theater, a 'marvelous' way to perform in lockdown (The New York Times)

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We got Hamilton. Why can't we stream every Broadway show? (The New York Times)

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A cast album I love: Hair (The New York Times)

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The Inheritance review (Newsday)

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Queer kids, nerds and sword fights: It's the hot school play (The New York Times)

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Carla Gugino has range, from Spy Kids to experimental theater (The New York Times)

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The pop musical: Go big (and loud) or go home (The New York Times)

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Jay Scheib revisits Bergman's The Silence (Arts at M.I.T.)

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Heidi Schreck on her surprise stage hit, What the Constitution Means to Me (The Hollywood Reporter)

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Roundtable: Can critics learn to love the jukebox musical? (The New York Times)

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A report from the Ingmar Bergman festival in Stockholm (The New York Times)

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What Do 525 ventriloquists do at a convention? (The New York Times)

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Wait, Leonard Bernstein wrote a Peter Pan musical? (The New York Times)

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To Kill a Mockingbird review (Newsday)

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On streaming theater (before it became a necessity) (The New York Times)

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How Steve Earle got back into downtown theater (The New York Times)

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Tim Minchin puts emotion on Broadway. Just don't call him sentimental (The New York Times)

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The gender's the thing: Harriet Walter plays Shakespeare's heroes as heroines (The New York Times)

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From Pitch Perfect to Broadway, Deke Sharon is vocal about a cappella (The New York Times)

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Interview with Peter Brook (The Wall Street Journal)

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