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Review: The Hunt (The New York Times)

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Review: Danny and the Deep Blue Sea (The New York Times)

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Review: New York, New York (The New York Times)

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Good times and bum times made these theater veterans even stronger (The New York Times)

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Stereophonic finds drama in a 1970s recording booth (The New York Times)

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Roundtable: For Broadway dance, high kicks and low comedy in a season of change (The New York Times)

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Method acting? Lars Eidinger just wants to "become myself" (The New York Times)

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Friday night footlights: How theater bonds a Colorado town (The New York Times)

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For one theater, a 'marvelous' way to perform in lockdown (The New York Times)

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We got Hamilton. Why can't we stream every Broadway show? (The New York Times)

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A cast album I love: Hair (The New York Times)

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Queer kids, nerds and sword fights: It's the hot school play (The New York Times)

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How an anxious-adolescent musical (no, not that one) found its fans (The New York Times)

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Carla Gugino has range, from Spy Kids to experimental theater (The New York Times)

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Jay Scheib revisits Bergman's The Silence (Arts at M.I.T.)

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Roundtable: Can critics learn to love the jukebox musical? (The New York Times)

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A report from the Ingmar Bergman festival in Stockholm (The New York Times)

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What Do 525 ventriloquists do at a convention? (The New York Times)

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Wait, Leonard Bernstein wrote a Peter Pan musical? (The New York Times)

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On streaming theater (before it became a necessity) (The New York Times)

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Interview with Peter Brook (The Wall Street Journal)

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