Ask a showrunner: Chris and Paul Weitz talk about Murderbot (The New York Times)

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Profile of Keeley Hawes (The New York Times)

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In Elsbeth, a quirky side character becomes a quirky lead (The New York Times)

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Reacher: Women want what he's got, and not just the beefcake (The New York Times)

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Are you strapped in for The Patient? The therapist is. (The New York Times)

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Irma Vep returns, more meta than ever (The New York Times)

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Comfort viewing: 3 reasons I love Columbo (The New York Times)

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Liz Garbus is taking back the voices stolen by the Golden State Killer (The New York Times)

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The Bureau is an international hit. Why did its creator hand it off? (The New York Times)

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Quibi: 9 shows worth your time. Or at least a few minutes. (The New York Times)

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Why I still love Grey's Anatomy (The New York Times)

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Harlan Coben exposes the secrets of The Stranger (The New York Times)

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Review: The L Word: Generation Q (The New York Times)

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Black Summer reanimates the zombie genre (The New York Times)

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Anna Torv answers some questions about Mindhunter (The New York Times)

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Where to stream the Stephen King references in Castle Rock (The New York Times)

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The Expanse has become the workaday space opera of our dreams (The Village Voice)

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A French Village looks at life after evil triumphs (The Village Voice) 

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A candid conversation with Andrew Dice Clay (The New York Post)

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Two elegant British takes on the spy genre: The Night Manager and London Spy (The New York Post)

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In Praise of The Great British Baking Show (The New York Post)

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